CHARLOTTENLUND VGS DRAMA
We believe it is an unprecedented potential and a mutually. Email required Address never made public. She has been a professional practitioner since and has worked in parallel with performances and various pioneer projects within the applied theater. The Routledge international handbook of the arts and education. Petro is appointed as lecturer and PhD co-ordinator at Drama for Life, Wits University and she runs a consulting business in organisational development, Playing. Cherae is the director of Drama for Life Playback Theatre. Psychodramatist CP , coach and organisational pedagogue.
Towards an ecological epistemology , Applied Theatre Researcher , Volume. Leave a Reply Cancel reply Enter your comment here Mari has also been the project leader for the multi-cultural, regional event Eventyrstien since Drama for Life Facebook page. Notify me of new comments via email. We exchange different visions, wishes and expectations for a collaboration that links our education of Master- and PhD students and the theatre industry closer to each other:. During his student years he has been engaged in the student organization Teaterlosjen , and through there he has grown passionate about building bridges between his fellow students, the teaching staff and other established people from the theater community. She is also in charge of curating an arts programme consisting of numerous.
Kathy designs interdisciplinary trainings and runs groups across diverse contexts drawing on experience in the fields of Applied Theatre and Drama and Movement Therapy.
Charlottenlund VGS | John Erik Setsaas Photography
Faith has performed as a storyteller at professional levels. She utilises extensive creative facilitation and therapy skills to conduct work in government and non- government sectors. How do contextual considerations affect artistic choices? Dharlottenlund has been a professional practitioner since and has worked in parallel with performances and various pioneer projects within the applied theater.
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In Nordic Time Zones. We exchange different visions, wishes and expectations for a collaboration that links our education of Master- and PhD students and the theatre industry closer to each other:. You are commenting using your Facebook account.
Currently she works at Kultursenteret ISAK facilitating for youth draam groups and youth culture events. She is also in charge of curating an arts programme consisting of numerous workshops and performances including children and young people.
FromPanter Tanter Productions chqrlottenlund Berit Rusten, who runs the theater Teater Polyfon, a theater for immigrants, has developed performances and theater as a method in an integration context.
The core aim at Kultursenteret ISAK is culture exploration, youth collaboration and democratic processes in an open, including context. Audun vge as a special needs teacher at a Primary School where he applies different approaches to learning. She is an accredited playback theatre trainer and uses playback to facilitate dialogue in a wide range of settings, from large organizations to local projects with immigrants and refugees.
During his student years he has been engaged in the student organization Teaterlosjenand through there he has grown. She has also worked with youth empowerment and youth culture projects in many fields — the youth clubs in Trondheim kommune and for the organizations Ungdom og Fritid and UKM.
Can you offer stays in periods during productions?
Drama for Life Facebook page. She has also made a number of adaptations for the stage. Since he has worked on contemporary media use and its material implications for the environment. Through her work she strives to inspire and equip those who inspire and equip others for social and organisational transformation.
Mari has also been the project leader for the multi-cultural, regional event Eventyrstien since She works at a school as a Drama therapist. Fill in your details below or click an icon to log in: Can master and PhD students be a resource in your theatre business?
Monolog forestillinger (3.klasse Drama)
Her research interests include the effectiveness of strategic narrative embodiment for designing social change interventions in organisational settings; the value of and adaptation needed for doing embodiment processes online and; the characteristics and challenges of creative research practices — specifically engaging in applied theatre and drama as research enquiry. Raundalen is currently working on the first book in Norwegian on materialist media ecology.
And what questions would you like to explore artistically?
Marit Kristine Austerslått. (@marit00) • Instagram photos and videos
Petro Janse van Vuuren is an Applied Theatre learning strategist and researcher. He has been involved with playback theatre since as musician. Petro Has published a number of articles and book chapters on her work and has presented at various conferences on applied theatre and organisation development locally and internationally.
Petro is appointed as lecturer and PhD co-ordinator at Drama for Life, Wits University and she runs a consulting business in organisational development, Playing Mantis.
He has been involved with playback theatre since as musician, actor, conductor and trainer. Panther Aunt Productions has worked extensively with documentaries related to Romani people, immigrants and Communist resistance struggles during World War II.
The absent recognition of heteronomous arts education. Creative processes in interdisiplinary teamsfocusing om the consepts og embodiment and flow, and The Tower- Block — post mortemfocusing on creating a sitespesific and ritual performance based on intermedial strategies and memories from the hospital i Trondheim. NTNU and Wits University present charottenlund applied theatre research and about their expectations for project collaboration.
You are commenting using your Twitter account. Towards an ecological epistemologyApplied Theatre ResearcherVolume 2. He has produced a total of five bigger plays and some smaller ones during the three past years. Cherae is the director of Drama for Life Playback Theatre.
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